Priced by the batch
Five quantity bands, published in full on the pricing page. The studio shows which band you are in, what the next one costs, and exactly how many pieces away it is. No band is unlocked by asking.
See the bandsCustom print shopOrlando, FLTaking jobs
We do not sell shirt designs. We sell blank garments, six ways of putting your artwork onto them, and a configurator that shows the price, the limits and the ship-by date while you are still deciding.
Calculated on our server from the published bands. Your own configuration is priced the same way, live, in the studio.
Most of what goes wrong with a print job is something the customer could not have known at the time they ordered. So we publish it.
Five quantity bands, published in full on the pricing page. The studio shows which band you are in, what the next one costs, and exactly how many pieces away it is. No band is unlocked by asking.
See the bandsMinimum order, colour ceiling, maximum size and the wash test behind each method, on every method page. If your fabric rules a method out, the studio greys it out and tells you which physical property is the reason.
Read the limitsEvery file is opened by a person before anything goes on press. Approved or rejected with a written reason. An automated check can flag a file for that person, but it never approves one.
How review worksSame blank, same method, same artwork. The only thing that changes is how many you order. Here is a Classic Tee with a two-colour front, at each band.
How the bands work
A band is a quantity discount inside a single order. It is not a membership, a tier you subscribe to, or a balance you top up. There is nothing to join and nothing recurring on this site.
What sits outside the band
Screen charges, digitising and film setup are one-off charges per design, and they are shown separately so you can see what a repeat run of the same artwork would cost. Ground shipping is free from $250.00 USD.
Weight in grams per square metre, fibre content, wash instructions and country of origin are on every product page, because they have to be.
This is the actual table the studio reads. Select any square to see whether that method runs on that fabric, and if not, which physical property stops it.
| Method / fabric | Cotton knit | Cotton-rich blend knit | Tri-blend knit | Polyester knit | Woven shirting | Cotton canvas | Structured cap twill | Acrylic rib knit | Bonded softshell |
|---|---|---|---|---|---|---|---|---|---|
| M1Screen | |||||||||
| M2DTG | |||||||||
| M3DTF | |||||||||
| M4Embroidery | |||||||||
| M5Heat | |||||||||
| M6Sublimation |
Five steps in the studio, then one person, then the press.
Thirty-eight bodies. Weight, fibre, wash and country of origin on every one.
Six processes. Anything your fabric rules out is greyed out here, with the reason.
Upload a file or set type. We check resolution, size and colour count as you go.
Drag it, or type coordinates. The printable area and its safety margin are drawn on the garment.
Unit price, band, what the next band would cost, ship-by window. Before you commit.
After the studio
Your file goes into a review queue. A reviewer opens it and checks it against the published rules. Approved jobs go to pre-press. Rejected jobs come back to you with a written reason, and if you do not want to change the artwork, the order is refunded in full. Nothing reaches the press with a status of pending.


On the floor
Nothing here is automated end to end. Screens are made for your artwork, pulled by hand, cured, and checked against the file you sent before the run is boxed. That is why the minimum on screen printing is twelve pieces, and why the lead time is measured in days rather than hours.
Pre-press
Colour separation, screens made, film output, then scheduled onto a press.
On press
Pulled, flashed and cured to the ink manufacturer's stated temperature.
Check and pack
Compared against your file, counted against your size breakdown, boxed.
You own the rights to what you send us, or it is in the public domain. That is the deal, and you confirm it in writing before the order is created. Here is the short version of what gets rejected.
A logo belongs to the company that owns it. Printing one without written permission from that company is trademark infringement, whether it is on one shirt or five hundred.
Professional clubs, leagues, universities and school districts all license their marks. Being a fan, a student, a parent or a local supporters' club does not carry a licence with it.
Characters are protected by copyright, usually for decades. A redrawn, traced or stylised version of a protected character is still a derivative work and still infringes.
Musicians, actors, athletes and public figures hold rights over the commercial use of their name, image and signature. Those rights survive in many states after death.
An image found through a search engine is not licensed to you. Nor is a font downloaded from a free site whose licence excludes commercial use. Both sit with their creator until a licence says otherwise.
Reproducing banknotes, passports, licences, official seals and law enforcement badges is separately regulated and is refused regardless of how the artwork is styled.
We refuse artwork that attacks people for who they are, threatens violence, or is sexually explicit. This is a judgement we make, and we make it conservatively.
On garments sized for children twelve and under, we will not print a personal name alongside a phone number, address, email or social handle. A single first name, or a squad number, is fine.
If you own a copyright or trademark and believe something we printed infringes it, our copyright agent is named and reachable on the copyright and DMCA page, with a written notice and counter-notice procedure and a policy of terminating repeat infringers.

Before you commit to a batch
A proof piece is a single unit of exactly what you configured, run on the real press with the real ink. It costs the list unit price plus a $18.00 USD proof charge, and that charge comes off in full when you follow it with a batch of 12 or more of the same job.
This matters more here than in an ordinary shop. Printed goods made to your specification are not returnable simply because you changed your mind, so seeing one in your hand first is the cheapest insurance available. What is and is not returnable.
Minimum order, colour ceiling, maximum size and the laundering test behind the durability figure. Every one of them, on every method page.
M1Ink pushed through a mesh screen, one colour at a time. The oldest method here and still the cheapest per piece once the screens are made, which is why the maths only works from twelve pieces up.
M2A wide-format inkjet that prints straight into the cotton. No screens, no minimum, and the only method that handles a full-colour gradient without simplifying it first.
M3Artwork printed onto film, powdered with adhesive, then heat pressed onto the garment. It goes onto almost anything, which is why it is the fallback when the fabric rules out everything else.
M4Thread stitched into the fabric by a multi-head machine. The most durable finish we offer and the only one available on a structured cap, at the cost of a small field and no photographic detail.
M5Coloured film cut to shape, weeded by hand and pressed on. No minimum, no setup, fastest out the door. The trade is that it only does flat solid shapes.
M6Dye turned to gas under heat and bonded into the polyester itself. Nothing sits on the surface, so there is no hand feel and no cracking edge, but it only works on light polyester.
Next step
Nothing is charged until you have seen the unit price, the band, the ship-by window and the two confirmations you have to make. If a method cannot run on the fabric you picked, you will know at step two, not after payment.